Showing posts with label allegory. Show all posts
Showing posts with label allegory. Show all posts

Saturday, July 20, 2013

Damned

         


     Okay, so the rundown is as follows: Whatever mojo Chuck Palahniuk had, it's gone now. Long gone. Damned is an ugly book, but not an entertainingly ugly book in the same way Choke or my personal favorite, Invisible Monsters was. The social pariahs encountered within these pages aren't half as interesting as the ones in Rant, and the cynicism is more choreographed than natural. In short, this reads like a book written by someone poorly imitating Chuck Palahniuk, and the last person in the world you should ever want to be a poor imitation of is Chuck Palahniuk. The descriptions are gross but seem kind of superfluous, the characters are one-dimensional except for Madison, who serves to alternately call every woman who isn't her "Slutty McVanderslut" and needlessly regurgitate the author's views. The plot is entirely beside the point, and the ranting interludes where Palahniuk rages against modern culture just seem like a list of things the author doesn't like.

            On the off-chance that I missed the point of the book, it does do a pretty good job of moderning up The Divine Comedy, and there are some genuinely funny moments (like being chauffeured to Hell in a town car, or a demon asking "Are you familiar with the William Morris Agency?") here and there. But sifting through these is an exercise in torture itself, and even an ending where it turns out that most of the book is the angry rant of a dead teenager who was simply put in a bad circumstance can't really save this from being a complete miss. If you feel like reading Palahniuk, find his earlier novels when he still had something to say. It's pretty much all downhill from here.

Sunday, June 16, 2013

In The Miso Soup



             Okay, the rundown is as follows. This is a good, atmospheric book that explores a large number of themes in a very strange way. It's at once a meditation on violence, a discussion of buddhism and redemption, a possible metaphor for cultural invasion of Japan from the West, and even a minor commentary on the culture surrounding the sex industry. That it juggles so many concepts in under two hundred pages is a feat in and of itself, but the fact that it does it with enough style and atmosphere to keep me interested makes it a great novel in my terms, and one that makes me wish it got into more people's hands. The descriptions are excellent, and the mounting dread leading into the single cathartic moment in the book is handled very, very well.

           However, the downside is that this is a novel more concerned with its underpinnings than the actual plot. Divided into three acts, one for each day during the New Year's celebration in Tokyo, the first act leads up to a catharsis in the second that starts to meander by the third. While the book's unnerving atmosphere continues, and in fact takes the book stranger places in the second and third sections, the lack of a definite ending and the partial abandonment of the plot halfway through could be jarring for some. It's best to think of the book not as a thriller, but as a kind of bizarre meditative piece involving violence, discussion of food, some Buddhism, and sex. That said, if you're looking for a thriller, this isn't the book for you. It's more American Psycho than Psycho, delving into the philosophical and psychological rather than aiming for flat-out horror.  

More, as always, below.