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It astonishes me that Jeff Noon has flown under the radar in this country for this long. His bizarre mix of post-cyberpunk, bio-punk, and hallucinatory fantasy is certainly unconventional in places, but in a genre fiction market where we've obsessed over victorian fantasy, zombies, vampires, and gritty medieval political fantasy for far too long, a voice like Noon's could be a breath of fresh air. If, that was, it wasn't drowned out by louder, more well-known voices. With his work, Jeff Noon creates brightly-colored and unsettlingly dark worlds that just border on assaulting the senses with colors, smells, sounds, and tastes. He layers these on top of bizarre crime stories about things that don't exist yet, like an illegal trade in hallucinogenic dimension-bending feathers or trying to hack a national lottery using black magic and unorthodox math. The result is a disorienting mix of weird visuals, strange plotlines, and despicable characters that comes together in something incredibly readable.
And Nymphomation is easily the most accessible of his books, barring his tripped-out short story collection Pixel Juice, a strange mix of experimental stories. Its lack of jargon, more sympathetic cast, focused plot, and a more conventional, grounded approach to plotting than his free-associative works like Vurt and Pollen. But more than being just "most accessible", it's a well-written introduction to one of genre fiction's most criminally underrated authors. It's an odd look at cyber-culture that barely sets foot online. And, above all else, it is brilliant. It's twisted, unsettling in places, and flat-out wrong at times, but I've never read nothing else like it.
More, as always, below.